In concerto a Zona3, Blackvessel, progetto minimal-folk di Fabio Longo<\/strong>, chitarrista autore di stampo post-rock\/noise, sempre alla ricerca di nuove vie espressive. L\u2019elettronica e gli oscillatori lasciano spazio alle chitarre, ai suoni e alle atmosfere visionarie per un concerto intimo e a tratti ipnotico.<\/p>\n Bio<\/p>\n Blackvessel<\/span><\/span> \u00e8 un progetto <\/span><\/span>minimal<\/span><\/span>-folk di Fabio Longo, q<\/span><\/span>uest\u2019ultimo, p<\/span><\/span>roveniente da pluriennali esperienze da chitarrista\/autore, fondando gruppi di stampo post-rock\/<\/span><\/span>noise<\/span><\/span> come <\/span><\/span>The <\/span><\/span>Oppside<\/span><\/span> (2010)<\/span><\/span> e<\/span><\/span> Rule<\/span><\/span> of Descartes<\/span><\/span>(2012)<\/span><\/span>, dopo un\u2019intensa attivit\u00e0 live e prod<\/span><\/span>otto <\/span><\/span>i r<\/span><\/span>ispettivi<\/span><\/span>album<\/span><\/span>: \u201c<\/span><\/span>Two<\/span><\/span> h<\/span><\/span><\/a>undred<\/span><\/span> seconds<\/span><\/span> to<\/span><\/span>\u201d <\/span><\/span>(<\/span><\/span>presso <\/span><\/span>Dreams<\/span><\/span> Factory<\/span><\/span>di Sacha Tilotta<\/span><\/span>) e \u201c<\/span><\/span>The <\/span><\/span>U<\/span><\/span>nique<\/span><\/span> S<\/span><\/span>tream<\/span><\/span>\u201d<\/span><\/span> (<\/span><\/span>presso <\/span><\/span>Analog<\/span><\/span>Audio Argent <\/span><\/span>di <\/span><\/span>Carlo Natoli)<\/span><\/span>,<\/span><\/span> si approccia alla sperimentazione elettronica<\/span><\/span> ed<\/span><\/span> impro<\/span><\/span> live, fondando (assieme ad Angelo Russo ed Emiliano Cinquerrui) <\/span><\/span>Grimmates<\/span><\/span>.<\/span><\/span> Nel 2014 esce l\u2019EP di <\/span><\/span>Grimmates<\/span><\/span> per conto della <\/span><\/span>Stridente, <\/span><\/span>Inc<\/span><\/span>. <\/span><\/span>Records<\/span><\/span>, il quale riscontra consensi diffusi e viene <\/span><\/span>subito <\/span><\/span>incluso nella compilation \u201c<\/span><\/span>Gothic<\/span><\/span>Rock <\/span><\/span>Around<\/span><\/span> The World VI\u201d della <\/span><\/span>Sombrati<\/span><\/span> Record (Brazil). In seguito l\u2019EP diventa pure oggetto di remix nel brano <\/span><\/span>\u201c<\/span><\/span>Everytime<\/span><\/span> I Fall<\/span><\/span>\u201d<\/span><\/span> di <\/span><\/span>SSick<\/span><\/span>.<\/span><\/span> Nel 2015, <\/span><\/span>per un anno circa, <\/span><\/span>accantona<\/span><\/span>t<\/span><\/span>a<\/span><\/span> temporaneamente<\/span><\/span> l<\/span><\/span>\u2019elettronica<\/span><\/span>,<\/span><\/span> riprende la chitarra in mano, ma in veste pi\u00f9 <\/span><\/span>minimal<\/span><\/span>-folk<\/span><\/span>,<\/span><\/span> con il progetto <\/span><\/span>Blackvessel<\/span><\/span>.<\/span><\/span> Viene autoprodotto <\/span><\/span>il singolo \u201c<\/span><\/span>Cursed<\/span><\/span> ones<\/span><\/span>\u201c<\/span><\/span>, in seguito pure<\/span><\/span> prestando le musiche a <\/span><\/span>readings<\/span><\/span> in eventi <\/span><\/span>letterari<\/span><\/span> a<\/span><\/span> Catania<\/span><\/span>. <\/span><\/span>Successivamente<\/span><\/span>, gli stimoli<\/span><\/span> legat<\/span><\/span>i<\/span><\/span> all\u2019<\/span><\/span>esperienza con <\/span><\/span>Grimmates<\/span><\/span>, <\/span><\/span>lo porta<\/span><\/span>no<\/span><\/span> ad investire <\/span><\/span>nuovamente<\/span><\/span> sull\u2019elettronica e gli oscillatori, <\/span><\/span>influenzato pure dal<\/span><\/span>la scena <\/span><\/span>b<\/span><\/span>erlinese,<\/span><\/span> e<\/span><\/span> ricercando <\/span><\/span>sempre <\/span><\/span>nuove vie espressive ma pure<\/span><\/span>